Character Evolution in Shakespeare\'s Macbeth

In Shakespeares Macbeth, the title characters dilemma can be summed up in his discourse to himself in the beginning of Act I scene vii. In this passage, Macbeth weighs the pros and cons of murdering Duncan, the king. He finds that there is more against the detestation than for it. Macbeths contemplativeness leads him to the conclusion that Duncan is a saint and hath borne his faculties so meek, hath been so clear in his dandy office, that his virtues lead plead equal angels (Macbeth 1.7.17-19). Macbeth can not go through with the endeavor, for Duncan is no exotic; he is a kinsman, and Macbeth is his subject. Macbeth is destined to Duncan, probably through a loyalty oath. One finds come on that Duncan has rewarded Macbeths loyalty with honor and with titles of nobility, resulting in an increase in Macbeths popularity. He also has a caper killing Duncan due to the situation that Duncan is Macbeths guest. It is Macbeths task as a host to protect his guest.\nFor Macbeth to h old the knife himself will be the ultimate form of imposture: he would be assail his kin, his king, and his guest with the same throw away of his arm. One should pay coating attention to Macbeths language; in that same passage, Macbeth personifies pity, making the sense a horseman who rides quick on the wind. Macbeth then extends the coincidence to himself; he is also a horseman, but he is a clumsy one with brusk to no motivation or speed: I contain no spur to start the sides of my intent, but only bound ambition which oerleaps itself and falls on th other (Macbeth 1.7.25-28). To put it simply, Macbeth salutary can not mention up with the pity, including the remorse that he believes he will receive erst the deed is done.\nIn addition to the melancholy that will sweep the land once Duncan is dead, Macbeth knows that his time will be short: bloody operating instructions which, being taught return to evoke th inventor (Macbeth 1.7.9-10). Macbeths ambition to be the king is retard...